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Origins[ edit ] Musical scholars have traced the style's affinity for percussion to influences from West Africabrought to the American colonies by African slaves. Before the American Civil Warplanters restricted slaves' access to drums and other percussion instruments, fearing the use of drums in arousing rebellion. David Evans, an anthropologist who has done hil fieldwork in the hill country of northern Mississippi, recorded black families there who play polyrhythmic music in their homes on chairs, tin cans, and empty counntry. His music was heavier on percussive elements and African rhythms than traditional Delta blues.
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